Doing More Better: Which of These Things is the Most Me?

A few months back, I posted about how I have major commitment issues when it comes to settling on one particular style. It's why my craft box is always overflowing, I'm constantly taking new classes, and none of my patterns and designs look like they came from the same person.

But this is a pretty big issue if you are ever trying to sell or market products, or if you're just trying to DO MORE BETTER. It's great to be an experimenter, creator, dabbler and learner... but how do I find the happy medium between creating stuff I love (and enjoying the process) and creating a recognizable "identity" that people want to invest in?

So today I'm taking a first step and identifying the list of all the styles and techniques I've been dabbling in and assessing each based on how uniquely "me" it is, how comfortable I am with the technique and how sell-able/marketable it is.

Ready??? Let's GO!

Abstract Doodles/Shapes/Patterns

Me-ness: 10
Comfort Level: 10
Sell-able?: 2

Pros: As I mentioned last time, this is the most "me" style. It's something I developed over many years and seems to just magically come from my hands without a lot of effort. It's what initially got me inspired to learn how to make digital, repeat patterns (so that I wasn't spending HOURS filling an entire page, though sometimes that is therapeutic).

Cons: I've had a lot of trouble translating these doodles into digital form or marketable products. They just lose something and feel too simple.

Abstract Q-Tip/Bubble Wrap Acrylic Painting 

Me-ness: 10
Comfort Level: 10
Sell-able?: 3

Pros: I started making these funny abstract paintings with Q-Tips a few years ago. I love the colors and the process.

Cons: Again, not 100% sure how to translate these into digital form or products. I'm just not sure what exactly what marketable kind of things they would look good on.

Cartoon Animals and Anthropomorphic Ice Cream Cone Drawings

Me-ness: 6
Comfort Level: 5
Sell-able?: 8

Pros: After trying for a while to make my abstract drawings work, I gave up and started practicing drawing things that look like things. These drawings are super easy to translate into digital patterns and projects.

Cons: While I definitely think these reflect a part of my personality, I tend to feel like I'm faking it and trying too hard to emulate what I see out in the marketplace. I love these patterns, but they come from a very different place than my abstract stuff.

Block printing and screen printing

Me-ness: 4
Comfort Level: 3
Sell-able?: 6

Pros: Printmaking is one area where I can let some of my abstract-self loose and it can be somewhat easily translated into other things.

Cons: I need a lot more practice, refining and again, the translation isn't always perfect. One exception is this veggie print, but I can't really count that because my brilliant, creative husband did the carving and printing.

Hand Lettering

Me-ness: 6
Comfort Level: 5
Sell-able?: 8

Pros: I've been obsessed with handwriting for a long time and have definitely gotten caught up in the hand lettering trend. I've made several gifts and commissions for friends.

Cons: There's a whole 'nother conversation to be had (don't worry, not today) about a specific style of hand lettering that I'm good at. Similar to this list, I could/should be narrowing down what style of lettering is the most "me." Also, I could do with a lot more practice and training to be better at this. Good grief.

Watercolor/Gouache Painting 

Me-ness: 3
Comfort Level: 2
Sell-able?: Who knows???

Pro/Cons: I debated even adding this to the list because this is something I basically just stuck my toe in the water with lately. I really enjoy painting, but it is by far the technique I would need to work on a lot. I haven't even really attempted "productizing" this stuff.

What Did We Learn?

Ok! That is a super long list. And as I was writing this, I think I definitely had a few insights:

1) The styles/techniques I feel are the most "me" (and least influenced by outside forces) are sometimes the hardest to translate into something sell-able (because they came from my weird brain, not from something I saw on Pinterest).

And vice versa, the things that I consider sell-able, are things heavily influenced by what I see in the marketplace and are things I feel less comfortable with when it comes to the technique.

2) I think there could be a lot of options to combine styles between what I consider "me" and what I consider sell-able/marketable. Though, it's hard to find the exact right balance...

So I guess that should be my next step: more experimentation! I read this great blog post by a professor at RISD about discovering your style. The bottom line? Trying a million different things and not narrowing yourself down before you're ready. So maybe I'm not as far off the path as I sometimes feel like.

I'll just wrap up by saying as always, I'm sharing all this info because I most certainly am not the only part-time dabbler out there going through this. I hope other people find my process interesting and helpful and stick with me as I take it (slowly) step-by-step.

Advice I Have Not Taken: My Thoughts on Picking a Style

A few weeks ago as I was ruminating over my place in the world, I mentioned that my latest, biggest fear was that everything I’m doing is NOT GOOD ENOUGH (crazy talk, right?... right?) and I’m progressively trying to improve and DO MORE BETTER. 

One area that’s pretty clear to me where I could be doing better is in having a defined style. I think if you read basically any design blog or book, the #1 piece of advice from artists/business owners/everyone is to have a clear, distinct, unique voice and style.

 And as a habitually distracted creative-type… this poses a pretty big challenge for me. Challenge #1: I love experimenting. Experimenting and learning new things is basically all I’ve been doing lately. 

Challenge #2: When you are learning new techniques, or when you are researching, or when you are just following other designers on social media… it’s tough not to be influenced. In my mind it works this way, “oh look, I love this style and it is super popular right now, I should do something like that.”

 Neither of these are necessarily BAD in my mind, and let me be clear, I’m not talking about COPYING someone else’s style (because, let’s be honest, I don’t have the attention span or talent to even go there). 

But when you are reading day-in-and-day-out that you need a refined style… that you need to pick one thing to be good at... it makes you think a lot (and possibly worry some more about being not good enough). 

And to me, there’s at least one style that I think is clearly “me.” And if you have known me for any period of time… this will not surprise you in any way whatsoever. And those are the doodles.

I started this blog to share my cover-the-page-with-weird-shapes doodles, like the ones throughout this post. It’s probably the only kind of drawing that comes naturally to me and that isn’t really influenced by other things I see. 

I just get obsessed with a shape, develop that shape, and then go nuts with that shape. I have done this since I could hold a pen in my hand. I just love, hand-drawn, tiny, repetitive patterns. Like this:

 Now the challenge is: how do I embrace that? How do I develop that in to something? How do I take what else I’ve learned to do and incorporate those things?

The answer: I don’t know. And as I’ve said before… I’m trying to share and embrace the process and worry less about not being there yet. So stay tuned and we’ll find out what happens together. Needless to say, there will definitely still be experimenting.

Big upgrade and more from Pattern Camp

Since Pattern Camp in October, I have been practicing like crazy! You wouldn't know it though from the lack of updates and sharing. I have a pretty short attention span, so I have the habit of quickly whipping things up, then thinking, "oh, I'll go back and perfect this later before putting it on the interwebs." I'm sure you can guess what happens next...

BUT THEN my 6-year-old laptop died. I was pretty devastated that I had lost all of those "just practice" files. So after they were rescued and a new MacBook Pro was purchased, I decided to just go ahead and put 'em out there... perfect or not.

I made the above during Pattern Camp. It's originally this q-tip painting I did a few years ago, turned in to a repeating pattern.

Just a random recent doodle put in to repeat.

Another one from Pattern Camp. It was a little rushed but I was pretty happy with it.

So there you have it. I probably have a dozen more practice pieces so I'll share some more soon!

And can I just say how nice it is to have a computer that doesn't completely melt down when I'm running Photoshop and Illustrator at the same time?! It's a Thanksgiving miracle!!!